"Snow ball" is a study of how a moment gathers meaning. How a quiet field turns into a screen for projection. How the smallest optical “accident” can become the real subject: the way perception builds, accumulates, and alters the world it claims to record.
Snow ball carries a double meaning: play and consequence. A snowball starts as a small, innocent gesture, then grows as it rolls, gathering whatever it touches, changing weight, direction, and impact. In this series, vision behaves the same way: perception is not a clean window, but an accumulating surface. What we see is shaped by what clings to us, what passes in front of us, what melts, and what stays
The red is the disturbance. It appears like an afterimage, a flare, a small fever inside the cold palette, turning winter into something psychologically charged. Sometimes it reads as warmth, sometimes as warning, sometimes as a memory that will not dissolve. Against the blues and whites, red becomes a kind of emotional residue, proof that the image is not neutral and the gaze is not innocent.
