In Nature Study, I approach nature as painters once did—not to describe, but to translate perception. Like Monet dissolving form into light or Rothko suspending color in emotion, I allow the natural world to blur into abstraction. These images are not depictions of landscapes; they are emotional atmospheres.
Each photograph captures the moment just before disappearance—when nature is no longer a subject, but a sensation. Texture becomes breath, color becomes thought. The landscape does not reflect peace or chaos, but holds both, suspended. This series explores what exists between seeing and feeling: a visual state where clarity fades and perception begins.
2023-2025
